Virtual production and ICVFX
LED volumes, Unreal Engine, nDisplay, camera tracking, lens calibration, OCIO, genlock, timecode and operating workflows.
Portfolio
Work built across screens, stages and systems.
A selection of systems and screen work where the job was not just to make the image look right, but to make the room, tools, operators and delivery path hold together.
Flagship delivery areas.
The work clusters around four practical problems: building virtual production stages, running real-time performers, delivering final images and keeping live systems stable under show pressure.
Real-time compositing
Unreal Engine, Blackmagic Ultimatte, DeckLink, LiveLink, NDI, Spout, keyed camera feeds and color-aware display pipelines.
Performance capture
Rokoko, CHINGMU, AI visual mocap, virtual camera work, LiveLink Face, MetaHuman workflows and multi-operator show control.
Film, VFX and post
Cinematography, camera crew, gaffer work, editing, visual effects, motion graphics, 3D animation and final-image delivery.
Live events and interactive media
Projection mapping, LED playback, vMix, Resolume, HiRender, NDI streaming, Dante audio, lighting control and TouchDesigner/Unity work.
Production software and infrastructure
Go, C++, JavaScript, Python, C#, Linux, Docker, Proxmox, TrueNAS, custom tools, AI-assisted workflows and production networks.
Virtual production
LED ICVFX and real-time stage infrastructure.
I built one of Hong Kong's early LED ICVFX stages hands-on: scouting high-resolution LED panels, checking refresh behavior, physically rigging the wall and making the stage usable for camera work.
The infrastructure covered render nodes, genlock, networking, Unreal Engine with nDisplay, hardware camera tracking, lens calibration and a custom mobile app for virtual camera control.
- Role
- Technical direction, physical build, rendering workflow and operator handoff.
- Systems
- LED wall, render nodes, Unreal Engine, nDisplay, camera tracking, genlock and lens calibration.
- Outcome
- A usable ICVFX stage pipeline for camera-facing production, testing and team operation.
Motion capture and virtual artists
Real-time performance pipelines.
For virtual artists and VTuber productions, I sync mocap data with Unreal Engine real-time rendering so on-location performances can become immersive live character experiences.
Years in event tech feed directly into the pipeline work: media servers, NDI streams, low-latency routing, virtual cameras and multi-operator control room planning.
- Role
- Pipeline design, capture integration, media routing and show control planning.
- Systems
- Rokoko, CHINGMU, LiveLink, MetaHuman, Unreal Engine, NDI and virtual cameras.
- Outcome
- Performers, characters, cameras and media servers stay aligned for real-time shows.
Filmmaking, VFX and post-production.
Commercial projects and music videos have put me in diverse roles: director of photography, assistant camera, gaffer, editor, VFX artist, motion graphics artist and 3D animator.
Camera and lighting
On-set image craft, lighting decisions and camera operation for music videos and commercial work.
Editing and VFX
Post-production through DaVinci Resolve, Adobe After Effects, Blackmagic Fusion, Blender and Unreal Engine rendering.
Freelance roles
Flexible crew roles that bridge practical set work, lighting logistics and technical problem-solving.
Events and interactive systems
Live technology that holds together under pressure.
Event production work has ranged from corporate galas to music festivals, bringing together visual engineering, audio engineering and stagehand experience.
That includes Resolume Arena for LED displays, projection mapping, lighting consoles, NDI streaming setups, Dante audio and the fast-paced discipline of keeping live systems running smoothly.
- Role
- Technical planning, control-room setup, live operation and rapid troubleshooting.
- Systems
- Resolume, vMix, HiRender, NDI, Dante, DMX, projection mapping and networking.
- Outcome
- Reliable visual, stream, audio and lighting paths for events that cannot pause.
Teach and learn
Education, AR/MR and media training.
I teach media production courses for NGOs and schools, working with students from curious kids to high-school crews on editing, DaVinci Resolve, multicam broadcasting and filmmaking techniques.
At City University of Hong Kong I also developed AR/MR solutions for chemistry teaching and supervised student projects. Teaching keeps the workflow honest: it must be explainable, repeatable and useful.
- Role
- Instructor, technical mentor and AR/MR education tool developer.
- Systems
- DaVinci Resolve, multicam broadcast workflows, AR/MR prototypes and student project support.
- Outcome
- Students learn production workflows through systems they can understand and operate.
Named project highlights.
Music-video and performance projects where camera, lighting, post-production and real-time systems feed the final image.
乙女シンドリーム - 乙女新夢
【平行幻想 PARALLEL PHANTASIA】 Official Music Video, shown as part of the screen-production and post workflow.
乙女シンドリーム - 乙女新夢
【戀愛禁止 DOPAMINE】 Official Music Video, represented through its production stills and final-image direction.
星街すいせい - STELLAR STELLAR FANMADE MV
A fanmade MV highlight using a blue-stage visual language and performance-focused lighting.
彭家麗 ANGELA PANG
是不是這樣的痛過人才算真正的成長過, included as a quieter performance and post-production highlight.
Production context
The broader portfolio covers technical direction, camera work, event engineering, teaching, system architecture and creative software across production and education environments.
Additional CV context
Imagine Division, innoneer.TV, HealthMutual Group, City University of Hong Kong, Hong Kong eSport & Music Festival, TVB and venue/event roles add employment and credit context.